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Feint-Hearted \ Frost \ Gratitude \ Present \ You’re Lacking \ APC




Nectar, 2021
1,367 pins and needles, rabbit fur, silver, glass pearls, thread
Missy, 2021
pins and needles, rubies, rabbit fur, silver, thread
Belle, 2022
pins and needles, rabbit fur, silver
Heavybreather, 2021
5,113 pins and needles, rabbit fur, thread
Millicent, 2023
3,641 pins and needles, rabbit fur, thread
Jupiter, 2021
pins and needles, hematite, rabbit fur, lacquer, silver
Monarch, 2022
10.047 pins and needles, rabbit fur, silver, thread
Heaven, 2022
998 pins and needles, rabbit fur, silver, thread
Monarch, 2022
10.047 pins and needles, rabbit fur, silver, thread
Eve, 2022
5,160 pins and needles, rabbit fur, thread, steel
Savannah, 2022
pins and needles, rabbit fur, silver, thread
Sofia's Belonging, 2022
pins and needles, rabbit fur, silver, thread
Passage, 2022
pins and needles, rabbit fur, earring backs, silver, thread
Honey, 2021
1,176 pins and needles, rabbit fur, thread
Carmine, 2023
pins and needles, rabbit fur, silver, thread
Semele, 2022
pins and needles, rabbit fur, silver
Lush, 2020
1,500 pins and needles, rabbit fur, cotton, silver, thread




Linger, 2020
57 pins and needles, rabbit fur, silver, thread




Truffle, 2020
441 pins and needles, rabbit fur, silver, thread





STATEMENT




The personal history of a material possesses the power of impacting the symbolic meaning of the object in which it is made into. The materials I use, such as pearls, fur, silver, and fabric, are often ordinary, yet they imbue the objects I create with meaning, creating a connection between the material and the experiences that have shaped my identity.

The work that I am creating is about the fear and anxiety caused from a lack of intimacy in my relationships. Five years ago, I created a pillow and blanket out of white rabbit fur. These pieces were forced to reflect my desires rather than the reality of my emotions or experiences. I unknowingly created unwanted effigies that I carried with me for years. I am turning the materials from my past into objects of adornment, pierced by hundreds of pins and needles.

My process of making begins as an obsession with an emotion connected to an object, idea, or relationship. I combine numerous methods of making to create pieces about my experiences with love, sexuality, and anxiety. My expertise is not in a specific material and exploiting its properties, rather it is in exploiting the memories embodied by the material. My work incorporates the personal history of my materials, and in turn, the stories of my emotions.